body.motion.etch unfolds in Athens as a tactile inquiry into how bodies marked by gender, memory, and labor inscribe themselves into space. Carolin works with sanded aluminum cans, fragments of urban consumption, transforming them into lithographic surfaces that record movement, grease, and sound. In temporary studios across the city, dancers engage these fragile materials through improvised gestures. What remains are ephemeral notations, prints, echoes, residues, mapping the tension between inscription and erasure, presence and disappearance, and the body’s quiet insistence to be known.
