14th – 28th of October 2019
The show can during this period be visited on appointment.
OPENING
Friday 25th of October 6:30 – 11:00pm
WORKSHOP
15 October 6:00 – 8:30 pm, SOAP-ARADE (1) with and at Victoria Square Project
22 October 6:00 – 8:30 pm, SOAP-ARADE (2) with BABEL at Dimotikh agora Kipselis
Yellow Brick welcomes Bernd Krauß for a two-week residency, where he with a colleague will explore the conjunctions of twigs and bricks. In workshops and collaborations they will stroll through the neighbourhood. Yellow Brick will serve as a base and display platform where over the period of two weeks an exhibition will slowly grow and develop. The show can during this period be visited on appointment. A final presentation will be held at the 25th of October.
The life of Twicks & Brigs can be followed under:
https://whattwickscanlearnfrombrigs.blogspot.com
SOAP-ARADE
Willy the Whittler will take his wooden colleagues for a walk and come over to Navel. Together they will explore the possibilities of soap as a carving material. Its aromatic softness allows achieving fast results without too much of an expertise. We will create a little soap community, that later can travel over to Yellow Brick and can be become part of What twicks can learn from Brigs!
2019 Anita c/o Ingmar; Performance aan der Laan & Podium OCW; Rotterdam, Fränkische Hochzeit; public sculpture; GfZK Leipzig, Pietbroichprachickenfeeder; Piet Zwart Insitute; Rotterdam, OC, L.A The Car Show: Kraftfahrzeughaftpflichtversicherung (G), From the island to the world; CIAP Vassivière, France (G), CA – alPPlyJJoaBjD – MPING; Piet Zwart Institute & Kunsthuis SYB, Wuj Karol (z Brasylii); Parking lot Manufactura; Lodz/Poland (fb event)
For more details concerning the workshops please contact us by mail and facebook: info@yellowbrick.gr
STEP 22 | ‘What Twicks can learn from Brigs!’ with Bernd Krauss is developed with and at Yellow Brick and in collaboration with Victoria Square Project and Babel Day Centre.
is an artist and educator. He observes cultural operations and records their impacts on microscopic and larger levels of reality in the performative organ ‘Der Riecher,’ which appears regularly as a hand-produced newspaper. In his daily practice, Krauß plants material and conceptual seeds that can be harvested in single works, exhibitions, classes, and performances for wider and specific publics.
